![]() ![]() There are other downsides: Especially in the early days, she heard stories about crypto culture that didn’t feel inclusive toward women and people of color. “I almost feel like I’m a rat on cocaine working in this space because there’s so much happening,” she said, noting that many people in the industry seem to think about crypto while they sleep. “Just knowing how little illustrators get paid in the tech industry, especially if you don’t live in America, that is so awesome to see,” she said.Ĭrypto's speed and intensity can be tough to keep up with, though, and she admitted her work-life balance is definitely worse. She loves seeing artists get compensated for their work, particularly when NFT prices are high a few months back, she onboarded a 3D artist in India to the platform who recently made $200,000 selling his work as NFTs. ![]() “Everyone implicitly believes in what we are doing, especially from a standpoint of empowering people on the internet to be able to capture the value that they’ve given to platforms,” she said. While her actual day-to-day job is similar to her work at Uber, her coworkers share far more enthusiasm about their industry. “I almost feel like I’m a rat on cocaine working in this space because there’s so much happening.” ![]() “Your 20s are about fuck around and find out,” she said. “I think it just felt more authentic to who I was and who I am currently.” Even if working for a crypto startup was risky, she didn’t feel like she had much job security to begin with-Uber had laid off a sizable part of her department over the years-and she almost wishes she’d left sooner. “I was bored and kind of waiting for a change,” she said. She had been at Uber for three years, doing a mix of product design and engineering, and jumped at the job offer even though it was a pay cut. The company reached out to her in a cold email. That’s where Lily works, as a product designer. Powering that system of artists, buyers, and resellers are web platforms like Zora, a “decentralized marketplace protocol” that’s sort of like Sotheby’s, eBay, and a private art gallery all in one. They use the blockchain to track who owns unique editions of files, media, or data: It could be a dazzling piece of video art, a crudely drawn rock, or anything, really. ![]()
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